last week was the premiere of Killing you softly, a multimedia dance theatre piece by Tikka Tibrewala, featuring projected video, interviews and a soundtrack i composed. Tikka is energetic and boistrous. In her work, she uses this in-your-face personality strategically: dissarming you with tongue-in-cheek, but then she clearly puts social tensions on the table like
Here is the ticket page:https://www.concertgebouw.nl/concerten/3509904-magie-van-de-maan-kunst-en-muziek-verenigd-in-unieke-kunstcompetitie (Contact me for a discount code if you need one) Its been a year since I dragged my teacher’s gong up 5 stories to my bedroom and produced a sketchy demo of a concept album. 2 months since pulling The Olloman Ensemble together, we’ve had our first mix produced by
the sound featured is a super ruff cut of what’s coming i am fascinated by the folklore that troubadours and bards sang about and am working on a series of story-songs which are becoming something of a futuristic epic ballad. its tells about characters over the ages and devices they used to keep track of
6 months ago, after graduating, i was invited by experimental noise artist, xhrs galarreta, to join the melismas residency for a week. i travelled to the south coast of turkey to dedicate some attention to the topic of time while exploring ancient ottoman and roman ruins. 04:30 in the morning i’d walk down to the
The earth here is fertile once more. Grass and weeds grow in a field that grows secretly in the presence of the roaring sound of trains overhead. This field is closed to the public. This was where the A9 highway once passed underneath the 2 national rail and 2 metro tracks, each of the 4
in 2022, along with aimee theriot, margaux koch and constanza castagnet, i co-founded the aux) platform. through concert and workshop programmes we tried to foster discussion between sound artists, musicians, poets and anyone vaguely interested in the possibilities of the medium of sound and making it. the more i come into more contact with experimental